Unravelled Exhibition

I’m pleased to announce that Summer ’76 has been jury selected by curators Catherine Sweet and Melanie Jordan for the ArtCan Unravelled exhibition. This pop up exhibition is part of the bi-annual Contemporary Textiles Fair at the Landmark Arts Centre 15-17 March 2024, Ferry Rd, Teddington TW11 9NN.

Summer '76 part of the Unravelled Exhibition
Summer ’76 part of the Unravelled Exhibition

Curators

Catherine Sweet is an ArtCan artist and a member of our Advisory Group. Catherine is the founder of BobCat Gallery, an independent online gallery showcasing original and affordable small scale artwork, and she is currently the Chair of Visual Arts for South West London charity Arts Richmond.

ArtCan artist Melanie Jordan is based in rural Kent. Her art practice is very tactile and haptic, with thread based crafts at its core. She has exhibited throughout the UK and internationally, including ArtCan’s ‘Vienna Calling III’ exhibition, and ‘Supermarket Art Fair’ in Stockholm. Her work has also been shown at Turner Contemporary Gallery in Margate. She was awarded an MA in Fine Art from The University for the Creative Arts, Canterbury in 2020.

Unravelled Exhibition at the Contemporary Textiles Fair

ArtCan Unravelled Exhibition

International non-profit arts organisation, ArtCan, will be popping up in South West London this March for a dual venue group exhibition focused on its artist members working with fibre and textiles. ‘ArtCan – Unravelled’ is co-curated by ArtCan members Catherine Sweet and Melanie Jordan.

“Textile art is one of the oldest art forms in human civilisation, and we encounter it in many different guises during our daily lives. While many early examples focused on function over form, contemporary creatives continue to push the boundaries of textiles as a medium, as well as incorporating new and diverse narratives into their work – whether that be through stitching, weaving, quilting, tapestry, knitting, crochet or something completely new.” -Catherine Sweet

ArtCan Unravelled aims to highlight how the boundaries of practicality and aesthetics can be blurred with the variety of methods used to create textile art, and to ‘tug on the thread’ of the narratives created within the whole.

“Thread-based crafts are moving off of the sidelines to take centre stage. Once seen as ‘woman’s work’, and given less attention than other art forms, contemporary artists are increasingly using textiles to create powerful and thought-provoking art. For me stitching is slow and methodical, where the doing is as important as the finished outcome. Soft and tactile, yet able to draw attention to uncomfortable concepts.” – Melanie Jordan

ArtCan have a second exhibition venue at RuptureXIBIT in Hampton Wick between 11 – 17 March.

Update: ArtCan ‘Unravelled’ Exhibition

Image courtesy: Catherine Sweet, curator ArtCan
Image courtesy: Catherine Sweet, curator ArtCan
Landmark Arts Centre.
Image courtesy: Catherine Sweet, curator ArtCan
Landmark Arts Centre. Image courtesy: Catherine Sweet, curator ArtCan
Image courtesy: Catherine Sweet, curator ArtCan
Image courtesy: Catherine Sweet, curator ArtCan

Stitchers Journal Issue 20

I’m delighted to announce my hand embroidery appears in a feature article in The Stitchers’ Journal Issue 20 published by Caroline Zoob @thestitchersjournal .

In late November 2023 I received an invitation from Caroline to take part in the magazine and of course I accepted.

Stitchers Journal Issue 20
Stitchers Journal Issue 20

A few days later I had a lovely interview with journalist Karen Kay and I’m delighted with the beautifully article.

Stitchers Journal article
Stitchers Journal article
Stitchers Journal article
Stitchers Journal article

The article includes one of my small artworks – ‘Millstone Grit’ – in the Dollhouse exhibition at House of Smalls.

The article also includes Accrington Pals, created for the ‘Kindred Spirits’ One Red Thread touring exhibition in Australia.

Thank you to Caroline and Karen for such a beautiful article.

There are a limited number of copies available to purchase from the Cowslip Workshops website.

UPPERCASE Magazine Issue 59

I’m pleased to announce that my hand embroidered work has been mentioned in the Canadian UPPERCASE Magazine issue 59. The article features a close up of my artwork Summer ’76.

Uppercase 59
Uppercase 59
Uppercase Magazine issue 59
Uppercase Magazine issue 59
Uppercase
Uppercase

Catherine Hill is a multi-award-winning contemporary textile artist from Lancashire, based in the UK.
Interested in the connections between landscape & home, her pieces journal local dialect and domestic life in Lancashire during the 1970’s.

Vintage thread, cotton cloth & the colour red, inspired by the Red Rose of Lancashire, form the basis for her hand stitched art.
Easily recognised for her creative use of hand embroidered text, she has been invited to publish work in several publications and has been exhibited across the UK, USA, Germany, Switzerland, Ukraine, Brazil and Australia.

Uppercase 59

Thank you to editor Janine Vangool for including my work.

Issue 59 is available to purchase via Central Books in the UK.