Given that ‘Black, Grey & Yellow’ is the exhibition’s colour theme, the first thing that popped into my head was a Manchester worker bee, and because I wanted a slightly industrial and aged look to the work, I chose to stitch into eco printed cloth.
I usually stitch in red thread, so this was a challenge for me. I liked the result so much that I created two companion pieces called Sound of the Mill #1 & #2. Each piece features Lancashire dialect poetry from ‘The Cotton Mill’ poem first published in The Bolton Chronicle in 1864.
Galerie Kalina, Regen, Germany.
Following this exhibition, the artworks are travelling to a gallery in Switzerland.
Update August 2022:
The next leg of the exhibition tour, takes place at the Ortsmuseum Meilen, Zurich, Switzerland and starts on the 20th August 2022 and is on until early September.
Here’s a brief video tour of the exhibition space in the Ortmuseum.
Thank you to Claudia Jäggi, SwissFiberArt and Vielfaeltig-Produzentengalerie for curating this international juried exhibition.
One of the many things I have rediscovered in the past year is my love of books and in particular reading Lancashire dialect poetry. This new piece of work titled Worker Bees was designed after reading one of these poems.
A little about ‘Worker Bees’.
The growth of cotton manufacturing during the industrial revolution changed the landscape of Northern towns forever. Workers lived in rows of terraced homes within earshot of the Mill they worked in, each long day of work starting with the call of the factory bell. By 1860 there were 2650 cotton mills in Lancashire, employing more than 440 000 people and producing half of the World’s cotton.
The outer border of the piece features an excerpt from a poem by Lancashire Dialect poet W. M. Billington – first published in The Blackburn Times in July 1864. The poem tells the tale of a chap who overslept and was abruptly awoken by the sound of the factory bells. The central panel of worker bees has been symbolic of Manchester’s historic textile industry since 1842.
In the 1800’s Manchester was full of cotton mills and hundreds of hard-working people went to work in these buildings. The mills came to be described as ‘hives of activity’ because they were so busy, and the employees were likened to worker bees as they put so much effort into their jobs.
This piece is a nod to James and Jane Nixon, my ancestors who worked as weavers in the Mills in Blackburn at the time this poem was written.
Worker Bees is part of a body of work about my Lancashire roots.
Size 11.75 x 11.75 cm. Hand embroidered and hand stitched using vintage Sylko threads onto cotton cloth which has been eco rust printed.
Update
Worker Bees are off on exhibition with Swiss Fibre Art in Germany and Switzerland.
Update
Worker Bees have been invited to take part in ‘A Tall Order’ at Touchstones Rochdale.
Update
Worker Bees have been accepted for exhibition in Brazil!
‘In Natura‘ is a captivatinggroup art show that delves into the profound beauty and fragile interconnection between humanity and the natural world. As a celebration of the World Environment Day (5 June 2023), the exhibition serves as a powerful platform to raise awareness about pressing environmental issues and promote positive action.
By bringing together 23 artists from 13 different countries, ‘In Natura’ presents a diverse range of perspectives and artistic expressions that transcend borders and cultures. Established and emerging artists are showcased side by side, fostering a vibrant dialogue that illuminates the urgent need for global collaboration in addressing environmental challenges and envisions a future where humans and nature exist in harmonious balance.