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19th January 20257th March 2025

Disowned

A new exhibition at the House of Smalls called ‘Childhood Interrupted’ prompted me to create a new piece of work called ‘Disowned’ for the Dollhouse gallery.

The exhibition takes place at The House of Smalls, 103 Henderson Row, Stockbridge, Edinburgh EH3 5BB from the 30th January – 1st March 2025.

‘Childhood (noun): The condition of being a child; the period of life before puberty. Interrupted (adjective): Broken, discontinued, or hindered‘ ~ House of Smalls.

Artists taking part in the Dollhouse - Childhood Interrupted - exhibition — Artists taking part in the Dollhouse – Childhood Interrupted exhibition

Disowned

Life is like a jigsaw puzzle, with each piece representing our experiences, relationships and our family – but what happens when a sibling is disowned or renounced by a parent and suddenly those we hold dear are missing from our lives.

The child is no longer welcome in the family home, not invited to family events, and for the siblings there is a wider impact.

They have to be forever cautious in conversations, they omit names for fear of further tension or conflict, and contact with those estranged requires deception for fear of being discovered.

In my own family it’s happened over two generations leaving a legacy of family rifts that decades later, still exist.

Size 11.5 x 11.5cm. Hand and machine embroidered cotton cloth, Aurifil embroidery thread, vintage Sylko thread, tea dye.

This piece forms part of a series of small works created for the House of Smalls.

Update February 2025:

Thank you to Amy, curator of The House of Smalls for sharing these images of my work in the Dollhouse gallery.

27th November 20242nd December 2024

Judith E Martin – Meet the Artist

Judith E Martin creates large, poetic, hand-stitched quilts that combine circular drawings with the tradition of North American bed quilts. In her work, she makes visible the profound feelings that rise up within her while stitching. The artist lives and works on an island in Canada and stitches with a hoop while seated near a large East facing window where her view takes in both sky and water. 

In this video Judith shares the stories behind the quilts in her solo exhibition – Softer and Dreamier.

Judith E Martin

Materials take the lead for this artist.  Many of the fabrics she chooses are old, soft, damask table linens, full of time and ritual. She also uses colourful silks and block printed cottons from India, organza or wool that she dyes herself, or references her Finnish roots with a Marimekko print. She uses both sides of her quilts, with a different title for each side.  This body of work is about the process of making it, and the stars and the clouds that she represents in the finished pieces are Judy’s attempt to share her interior world.   

In this solo exhibition, Canadian artist Judith E Martin explores the cosmic circles above us and the dream world within us.

Judith made her first quilt at the age of twenty and soon became inspired by the quilt’s connection to the important life passages that occur in bed. During the 90’s, she made hand-stitched story quilts using the poetic code she discovered in traditional quilt patterns and world embroidery. Martin holds two BA degrees in fine art, (1993 Lakehead University [Thunder Bay, On] and 2012 Middlesex University [London, UK]). Currently, her most important work is about touch and vulnerability and about the relentless passage of time.

Judith e Martin’s work has been widely exhibited across Canada as well as the USA, Europe, and Asia.

Her stitched artwork was featured in the book Slow Stitch: mindful and contemplative textile art by Claire Wellesley Smith (2015) and is supported by the Ontario Arts Council. Filmed at the Festival of Quilts 2024.

Judith E Martin: https://www.judithemartin.com

https://judys-exhibitions.blogspot.com/2024/11/arnolds-attic-features-judiths-softer.html

Slow Stitch: mindful and contemplative textile art by Claire Wellesley Smith (2015) (https://amzn.to/48VLn90)

Sidnee Snell – Meet the Artist

Textile artist Sidnee Snell is based in Portland Oregon and has been working in textiles since childhood, including a stint as a dressmaker in high school. In 1994, after a dozen or so years working as an electrical engineer and programmer, Sidnee Snell left the high-tech industry and began her professional artistic journey.

Sidnee Snell: https://www.sidneesnell.com/ \ https://www.instagram.com/sidneesnellstudio

Her early art-quilts were geometrical and abstract in design. They were heavily influenced by traditional quilts and her studies with Nancy Crow and other prominent art quilters. In 2007, she began developing a foundation appliqué technique and producing quilts based on photographic imagery.

“My quilts come together like a developing Polaroid. The construction technique I engineered uses raw-edged foundational appliqué to place the colours, quilting stitches to sketchily define the shapes, and a final washing to soften the borders between images. I like how the texture this produces blurs and abstracts my digitally manipulated photo-based images.  I want the viewer to want to touch the finished quilt, despite what all the signs in the exhibition warn. I want to entice the viewer to come closer.”

Sidnee’s work is in many public and private collections including Quilt National 2013.

“I want to know how everything is made, how everything works. Inspiration comes from anything my eye lands on, especially the push/pull of the human mark on nature and nature’s impact on the built world. I am more interested in the rusting rivet on a bridge than the river the bridge spans.”

“I was an engineer before I was an artist and now I am both. My studio practice is a union between the free-form exploration of “Why am I drawn to this image?” and “What happens if…?” and the linear thinking needed to answer the follow-up question, “How do I make this?” In my recent work, I am drawn to images that include human-made objects acted on by layers of time and natural forces. Each time a new obsession chooses me, I allow the answers to the what if question to open paths of visual- and self-exploration. I don’t want to be afraid; I want to be brave and courageous, so I work my way through my fears, trusting myself and all my years of being a maker to get me where the piece needs to go.”

Filmed at the Festival of Quilts 2024.

Disowned

Disowned

Update February 2025:

Judith E Martin – Meet the Artist

Judith E Martin

Further reading

Sidnee Snell – Meet the Artist

Further reading

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